My practice is centred around the staging of spatial interventions. Turning things upside down and inside out, I ‘make a scene’, wherein, diagrammatic drawings, architectural models, reconsidered objects and sourced references from music, poetry, literature, theory and film are reconfigured. Individually, these things operate as a continuous, endlessly self-referential process, in which no work ever stands in a fixed, permanent relation to any other, but take the form of a constellation of clues for the viewer to join the dots.
I describe my approach as ‘psycho-techno-archaeological’, which is a mashup of technical methods and processes {active listening, pseudocode, fieldwork} that I am developing to rupture and play with multiple perspectives, challenge pre-existing structures and activate freedom within constraint.
Considering matters which range from the personal to the existential {broken hearts, financial instability, our place within the cosmos, the prospect of a multiverse}, I slowly process these matters, as matter. What emerges is often simultaneously both a celebration and a shattering of the tenuous relationships between things.