My practice is centred around the promise of a scattered methodology.
I describe my approach as ‘psycho-techno-archaeological’, which is a mashup of technical methods and processes {active listening, remixing, fieldwork}, which I use to bring together fragments of ideas, processes and practices, wherein, chance encounters have the potential of turning into new, inexplicably linked realities.
Working with pre-existing objects and images, alongside material from film and music and quotations from poetry, literature and theory, I make connections between unconnected things, in an attempt to change the nature between one or more of them that I believe may be at the mercy of some force which needs to be released.
Considering matters which range from the personal to the existential {broken hearts, financial instability, identity crises, our place within the cosmos, the prospect of a multiverse} I slowly process these matters, as matter. What emerges is often simultaneously both a celebration and a shattering of the tenuous relationships between things.